Cyndy Littleton
As a ceramic artist I draw my inspiration from the infinite possibilities of clay and from the natural world around me. As a functional potter I want my pottery to be utilized and enjoyed by others. So this journey of clay and nature and the desired for others to enjoy my ware has led me down many different pathways. In 2012, I began working with clay at a nonprofit art school. While working with my hands, I learned how each body of clay, porcelain, stoneware, and native clays has a unique quality. The challenge of making glazes and using a variety of firing schedules in the electric kiln only enhances the journey as a potter. This love of working with clay is currently shared with my students today at the same nonprofit art school, Clifton Forge School of the Arts. Recognizing the strong pull that nature has for me and for many artists like me, I began to explore native clays and wood fire kilns in 2016. In 2017, I constructed a cross draft wood fire kiln from repurposed bricks. The impact that a wood fire has on clay, slips, and glazes reminds me of ancient and pioneering practices. I have found this method of work brings a breath of irregularity and imperfection which remind me that nature is not perfect and that in itself is beautiful.